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Submissions from 2024

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Writing Alone, Writing Together: Lessons from Self-Styled Retreats, Samuel Autman

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Requiem for an Unwritten Memoir: How Grace Bumbry changed opera, Samuel Autman

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Finding Meaning in Wine: A US Blend, Michael Sinowitz

Submissions from 2023

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“The Cicadas Are Really Loud”, Eugene Gloria

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“Scales (Shahad Ameen, 2019) – Middle Eastern Myth” in The Deep: A Companion, Manal Shalaby

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“Women”, Victoria Wiet, Kimberly Cox, Shannon Draucker, and Doreen Thierauf

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"Excerpt from Before We Became a New People" Daughters of Latin America : An International Anthology of Writing by Latine Women, Ivelisse Rodriguez

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"Excerpt from Before We Became a New People" in A Night of Screams : Latino Horror Stories, Ivelisse Rodriguez

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"Risk and refuge: The role of the commonplace in navigating crisis" in Recollections from an uncommon time: 4C20 documentarian tales, Lynn Ishikawa

Submissions from 2022

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An Unorthodox Trip, Samuel Autman

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The Train Rolls On, Samuel Autman

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“Black Body Snatchers” in It Came From the Closet: Queer Reflections on Horror, Samuel Autman

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"Anthony Ashley Cooper, third Earl of Shaftesbury" in the Digital Encyclopedia of British Sociability in the Long Eighteenth Century, David Alvarez and Patrick Müller

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"My Cousin", Wayne Glausser

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"Orange Land" and "At the PX", Eugene Gloria

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Rizal upon Hearing David Bowie's "The Rise and Fall of Ziggy Stardust and the Spiders from Mars", Eugene Gloria

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Angelheaded (Neo-)Hipsters: Two Cultural Re-productions of Ginsberg's 'Howl', Deborah R. Geis

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Red Hens and Raymundo, Eugene Gloria

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Mutopia: Science Fiction and Fantastic Knowledge, Istvan Csicsery-Ronay

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Say Their Names: Drama of the Black Lives Matter Era, Deborah R. Geis

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Chief Justice Roberts’ court questions the religious neutrality of secular schools, Wayne Glausser

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Opinion: Just like that, my student-loan debt disappeared, Samuel A. Autman

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World Literature at the End of the World: The Case of Aaron Zeitlin, Yeshua G.B. Tolle

Submissions from 2021

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Immortal voices, Nicole Lobdell

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Our Eyes Were Watching Marcia, Samuel A. Autman

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An Apology for My Superstitions, Wayne Glausser

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The Seven Powers of Laurie Lynn Drummond’s ‘Alive’, Samuel Autman

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Entheoceutical Entrepreneurs and the Resistance to Old-School Psychedelia, Wayne Glausser

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Psychedelic Drugs and Atheism: Debunking the Myths, Wayne Glausser

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Of Saints, Miracles, and Embarrassment in an American Plague Year, Wayne Glausser

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“Jose Rizal Walks a Mile to “In-A-Gadda-Da-Vida” and “Galileo”, Eugene Gloria

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My Sister's Cult, Wayne Glausser

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"Beat Performance Poetry : Ginsberg, Kaufman, and Waldman" in The Beats: A Teaching Companion, Deborah R. Geis

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"Wonder Boys" in Sweeter Voices Still: An LGBTQ Anthology from Middle America, Samuel Autman

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“Viral Days,” “Time as an Asterisk,” and “Dear Parentheses", Eugene Gloria

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“Rizal Walks Along the Foxgloves”, Eugene Gloria

Submissions from 2020

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"Mother's Tongue" in The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction, Samuel Autman

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Response: State-of-the-Field, Deborah R. Geis

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Beauvoir in Time, Meryl Altman

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Upstairs, Pierre, the Naked Sailor: On Why We List, Eugene Gloria

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Never Dead: Mary Shelley’s Frankenstein, Nicole Lobdell

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"'Just Do It': Gary Gilmore, Nancy Reagan, and Other Cultural Entanglements of the Nike Slogan", Wayne Glausser

Submissions from 2019

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Read My Plate: The Literature of Food, Deborah R. Geis

Submissions from 2018

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Daniel Defoe's Protestant Roman Catholics. Global Religion, Colonialism, and the Limits of Toleration in The Farther Adventures of Robinson Crusoe, David Alvarez

Submissions from 2015

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An Evening with Emily Dickinson, Meryl Altman

Submissions from 2010

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The Grand Rectification: Review of The Second Sex by Simone de Beauvoir, translated by Constance Borde and Sheila Malovany-Chevallier., Meryl Altman

Submissions from 2009

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παρθενοι to Watch Out For? Looking at Female Couples in Vase-Painting and Lyric, Meryl Altman

Submissions from 2008

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Seeking a Usable Past: Review of Feeling Backward: Loss and the Politics of Queer History by Heather Love., Meryl Altman

Submissions from 2006

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Sappho's Lost Sessions, Meryl Altman

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Why I Read: Review of Mother Tongues: Sexuality, Trials, Motherhood, Translation by Barbara Johnson, Meryl Altman

Submissions from 2004

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Less Cool, More Light: Review of Cool Men and the Second Sex by Susan Fraiman., Meryl Altman

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Looking for Sappho: Review of Sappho's Leap by Erica Jong, The Sappho History by Margaret Reynolds, and If Not, Winter: Fragments of Sappho by Anne Carson., Meryl Altman

Submissions from 2002

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Lives on the Line: Review of Sleeping with Cats: A Memoir by Marge Piercy and Heartbreak: The Political Memoir of a Feminist Militant by Andrea Dworkin., Meryl Altman

Submissions from 2001

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The Age of Anxiety: Review of Mother Millett by Kate Millett., Meryl Altman

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Sexual Politics: Review of My Dangerous Desires: A Queer Girl Dreaming Her Way Home by Amber L. Hollibaugh., Meryl Altman

Submissions from 2000

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Reality Check: Review of What is a Woman? And Other Essays by Toril Moi., Meryl Altman

Submissions from 1999

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The Complexity of Complicity: Review of Thinking Fascism: Sapphic Modernism and Fascist Modernity by Erin G. Carlston., Meryl Altman

Submissions from 1998

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Critical Success: Review of Dwelling in Possibility: Women Poets and Critics on Poetry edited by Yopie Prins and Maaera Shreiber., Meryl Altman

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More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz., Meryl Altman

Submissions from 1997

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Chic at a Price: Review of The History of Lesbian Hair and Other Tales of Bent Life in a Straight World by Mary Dugger, Lesbianism Made Easy by Helen Eisenbach, So You Want to Be a Lesbian? A Guide for Amateurs and Professionals by Liz Tracey and Sydney Pokorny, Roberts' Rules of Lesbian Living by Shelly Roberts, Born Gay: Images and Reflections of an Ordinary Lesbian by Jan Phillips, and Nothing But the Girl: The Blatant Lesbian Image edited by Susie Bright and Jill Posener., Meryl Altman

Submissions from 1994

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Reconstructive Criticism: Review of Sexual Practice, Textual Theory: Lesbian Cultural Criticism edited by Susan J. Wolfe and Julia Penelope., Meryl Altman

Submissions from 1992

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Book Review Of: Making Sex: Body and Gender From the Greeks to Freud by Thomas Laqueur., Meryl Altman and Keith Nightenhelser

Submissions from 1991

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The Rage for Disorder: Review of Pink Guitar: Writing as Feminist Practice by Rachel Blau DuPlessis., Meryl Altman

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Song of the Skirt, Meryl Altman

Submissions from 1990

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Uneasy Understandings: Review of Upstairs in the Garden: Poems Selected and New 1968-1988 by Robin Morgan, A Few Words in the Mother Tongue: Poems Selected and New (1971-1990) by Irena Klepfisz, Giacometti's Dog by Robin Becker, and History and Geography by Judith Barrington., Meryl Altman