•  
  •  
 

Volume 12, Issue 2 (1999) A Biscuit and a Daydream

Editor's Note:

First things first, apologies. We're sorry for not being smart-ass enough, we're sorry for not being crass enough, artsy enough, gutsy enough or fair enough. Secondly, thanks. Thank you to everyone that helped out and contributed, congratulated us, bugged us, got on our cases about mistakes and believed that we could do this. This issue is as much yours as it is ours. This issue is more of a collaboration of ideas than it is a conglomeration of works of art.

Someone once said "between thought and expression lies a lifetime," all you gotta do is live it. We made something. Rather, we screamed something. We don't know if anyone heard, but as Johnny Popular says, "Okham's Razor, simplify, simplify, simplify, man." So here it is: express as much as you can, express things you don't understand. If you can't say it, scream it, and don't stop screaming until someone asks you to be quiet. Then go get a megaphone.

So take your last biscuit and enjoy. We hope to have left a pleasant taste in your mouth.

Love Always,

The Editors

Art

 

Abigail
Bob Phares

 

Untitled
Tara Karasch

 

Strain
Dave Mitchell

 

Untitled
Mike Brooks

Poetry

 

Relax:revelation
Arnikka Robinson

 

Sifted
Abe Moore

 

David Isaac
Sarrah Brace

 

The Way Soulmates Gaze
Jen Van Hoozer

 

For Granted
K.I. Gregor

 

Figuring Out the Knife
K.I. Gregor

 

Hollowday
Ryan Slabaugh

 

Eucharist
Arnikka Robinson

 

Poetry
Kevin McKelvey

 

Ballet Solitude
Arnikka Robinson

 

Pine Tree Forest
Eli Haddad

 

Junk Dad
Janet Briner

 

Blue Tick
Kevin McKelvey

 

A Reminder
Abe Moore

 

Pulling Strings
Jenny Kline

 

Donuts Before Church
Dakota Schultz

 

Indian Summer
Shannon Oltmann

Editors

Editor
Walter Lenckos
Managing Editor
Josh Harrison
Poetry/Fiction Editor
Abe Moore
Design Editor
Kevin McKelvey
Photography Editor
Dave Mitchell
Propaganda Specialist
Sarah Gerkensmeyer
Advisor
Barbara Bean
New, naive person that's helping out an organization that certainly couldn't be called that because we aren't organized and threw this thing together at the end of a semester, just like always
Cyndi O'Dell
Front Cover:
Mike Brooks, Untitled, 8.5 x 11", Black and White Photography
Back Cover:
Eli Haddad, Untitled, 8.5 x 11", Black and White Photography
Inside Back Cover:
Lisa Camp, Untitled, 8.5 x 11", Black and White Photography