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Submissions from 2024

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To Touch Time: U.S. Black Feminist Modernist Sculpture in the 1970s and 1980s, Sarah Louise Cowan

Submissions from 2023

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“On the Dance Floor: Copresence and the Problem of Artistic Influence,” in Tales of Brave Ulysses: Al Loving, Howardena Pindell, Alan Shields, Richard Van Buren, Sarah Louise Cowan

Submissions from 2022

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Howardena Pindell: Reclaiming Abstraction, Sarah Louise Cowan

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“Fishing for Meaning: Immersive Reading and the Codex Manesse Frontispieces” in Courtly Pastimes, D. Lyle DeChant

Submissions from 2021

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"The Case of Arbogast: Image and Identity in a Swiss Gothic Parish Church" in Towards an Art History of the Parish Church, 1200–1399, D. Lyle DeChant

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The Poetry of Play: Hybridity in the "Amusements of the Four Seasons of Kyoto", Pauline Ayumi Ota

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The Pervasive Nature of Colonialism and Our Disciplinary Attachment to It, Natalia Vargas Márquez

Submissions from 2020

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Texturing Abstraction: Howardena Pindell’s Cut and Sewn Paintings, Sarah Louise Cowan

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"Visual Arts Education in Chile: Construction and Development of a State-led Artistic System (1849-1959)" in Academies and Schools of Art in Latin America, Natalia Vargas Márquez and Pablo Berríos González

Submissions from 2019

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Charged Spaces: Navigating Complex Exhibition Content for University Audiences, Craig Hadley and Alexandra Chamberlain

Submissions from 2018

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People + property : the House Life Project, Meredith Brickell, Twinkle Van Winkle, and Laura Holzman