Submissions from 2024
To Touch Time: U.S. Black Feminist Modernist Sculpture in the 1970s and 1980s, Sarah Louise Cowan
Submissions from 2023
“On the Dance Floor: Copresence and the Problem of Artistic Influence,” in Tales of Brave Ulysses: Al Loving, Howardena Pindell, Alan Shields, Richard Van Buren, Sarah Louise Cowan
Submissions from 2022
Howardena Pindell: Reclaiming Abstraction, Sarah Louise Cowan
“Fishing for Meaning: Immersive Reading and the Codex Manesse Frontispieces” in Courtly Pastimes, D. Lyle DeChant
Submissions from 2021
"The Case of Arbogast: Image and Identity in a Swiss Gothic Parish Church" in Towards an Art History of the Parish Church, 1200–1399, D. Lyle DeChant
The Poetry of Play: Hybridity in the "Amusements of the Four Seasons of Kyoto", Pauline Ayumi Ota
The Pervasive Nature of Colonialism and Our Disciplinary Attachment to It, Natalia Vargas Márquez
Submissions from 2020
Texturing Abstraction: Howardena Pindell’s Cut and Sewn Paintings, Sarah Louise Cowan
"Visual Arts Education in Chile: Construction and Development of a State-led Artistic System (1849-1959)" in Academies and Schools of Art in Latin America, Natalia Vargas Márquez and Pablo Berríos González
Submissions from 2019
Charged Spaces: Navigating Complex Exhibition Content for University Audiences, Craig Hadley and Alexandra Chamberlain
Submissions from 2018
People + property : the House Life Project, Meredith Brickell, Twinkle Van Winkle, and Laura Holzman
