Document Type

Article

Publication Date

12-31-2025

Abstract

John Hughes’ tragedy The Siege of Damascus (1720) seeks to bridge the divide between east and west, between Islam and Christianity, by advancing an understanding of a sensus communis in terms of sympathy, honor, and mutual respect. I argue that this articulation of a sensus communis relies on how the play conceptualizes ‘genuine religion’ in global terms. It does this primarily by universalizing the project of Anglican clergy to champion Christianity as a civil religion. The play thus points to the importance of enlightenment efforts to reconceptualize religion for a genealogy of the sensus communis.

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Copyright (c) 2025 David Alvarez

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