Submissions from 2025
Exploring the Intersections Between Gospel Music and European Choral Traditions, Bryon Black II
Submissions from 2024
The music theory booklet Balliol 173A, fols. 74r–81v: scribal organisation of an early medieval theory miscellany, C. Matthew Balensuela
The Listening Year at Big Walnut Creek, Eliza Brown
Submissions from 2023
Singing a New Technology of Car Riding: Jitney-Bus Songs, 1915-1917, C. Matthew Balensuela
Bird Song for voice (Bb3-F5), bass flute, and bass clarinet, Eliza Brown
Submissions from 2022
of our transgressions, Eliza Brown
the light that blurred the stars, Eliza Brown
Submissions from 2021
Music with Airports, Eliza Brown
Beethoven Diabelli Variations, May Phang
Submissions from 2020
"Ethan’s Road" in The Blue Book - Volume 3: A Test Guide for the Modern Percussionist, Ming-hui Kuo
Submissions from 2019
Music as Liberal Art: the Continuing Relevance of Medieval Music Pedagogy in Teacher Education, C. Matthew Balensuela
Lee Hyla and the Pedagogy of Permission, Eliza Brown
Submissions from 2018
Hamilton and History Musicals, Elissa Harbert
Review of Alex Horwitz, Great Performances: Hamilton's America. PBS, October 21, 2016, streaming, Elissa Harbert
Submissions from 2017
“Ever to the Right”?: The Political Life of 1776 in the Nixon Era, Elissa Harbert
Submissions from 2015
American Handbooks of Music History: Breadth, Depth, and the Critique of Pedagogy, C. Matthew Balensuela
Submissions from 2014
Conflicting Strategies of Management and Memory at the Indiana Roof Ballroom, 1933-34, C. Matthew Balensuela