Document Type

Multimedia

Recording Date

1-15-2017

Abstract

A highlight of the DePauw Interdisciplinary Festival will be Music Unwound's Kurt Weill Cabaret, featuring lyric soprano Lisa Vroman, baritone William Sharp and pianist Shane Schag. Directed by Dean Anthony, with concept by Joe Horowitz and Kim Kowalke and visuals by Peter Bogdanoff, Saturday's cabaret-style performance, outlining the interactions of Weill, Bertolt Brecht and Marc Blitzstein

Contents

DePauw Interdisciplinary Festival

Cultural Connections: Weill and Brecht

Directed by Dean Anthony

Featuring lyric soprano Lisa Vroman, baritone William Sharp, and Pianist Shane Schag.

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Sunday, January 15, 2017, 3:00 p.m. Judson and Joyce Green Center for the Performing Arts, Thompson Recital Hall Greencastle, Indiana

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"Into the Streets May First"(1934)...................Marc Blitzstein and Aaron Copland

From Happy End (1929)...................Kurt Weill

"The Song of the Big Shot"

From Die Dreigroschenoper (1928)...................Kurt Weill

"Tango Ballad"

"Polly's Song"

"Ballad of the Easy Life"

"Second Threepenny Finale"

From Die Massnahme (1930)...................Hanns Eisler

"Äendere die Welt, sie braucht es"

From The Cradle Will Rock (1937)...................Marc Blitzstein

"Nickel Under the Foot"

"The Cradle Will Rock"

From Knickerbocker Holiday (1938)...................Kurt Weill

"How Can You Tell an American?"

From Lady in the Dark (1941)...................Kurt Weill

"This is New"

"My Ship"

From No For an Answer (1941)...................Marc Blitzstein

"Penny Candy"

"Beat! Beat! Drums!" (1942)...................Kurt Weill

"Buddy on the Nightshift" (1942)...................Kurt Weill

"Schickelgruber" (1942)...................Kurt Weill

From Street Scene (1946)...................Kurt Weill

"Wouldn't You Like to Be on Broadway?"

"What Good Would the Moon Be?"

"Zipper Fly" (1945)...................Marc Blitzstein

From Die Dreigroschenoper (1928)...................Kurt Weill

"Pirate Jenny"

Second Finale

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