Theses/Dissertations from 2023
Dissecting the Musical Body: Analyzing the Influence of Body Norms on Musical Discourse, Lauren del Rosario '23
Theses/Dissertations from 2022
Coffee, Music, and Taste: Why We Like What We Like, and Why That Matters, Thomas Curdt '22
Theses/Dissertations from 2020
From Michigan With Love, Emma Krug 20
Murder Upon Murder, Patricia Rose McKown Schuelke '20
White, Female Cellist: One (Very Average) Musician’s Exploration of Identity Through Jazz Pedagogy, Amelia Smerz 20
Theses/Dissertations from 2019
Goals, Outcomes, and Efficacy of Music Programming in Prisons, Liam Byrnes 18
The Vocaloid Phenomenon: A Glimpse into the Future of Songwriting, Community-Created Content, Art, and Humanity, Bronson Roseboro 19
Adventure, Intrigue, and Terror: Arabs and the Middle East in Hollywood Film Music, Grant Woods 19
Theses/Dissertations from 2018
“I’m Nobody! Who are you?”: Musical (Re)presentations of Emily Dickinson, Abigail Martin 18
Submissions from 2017
Changing Musical Canon in DePauw Piano Recitals, Eric Heaton
The Art of Borrowing: Intertextuality in the French Motet of the Late Middle Ages, Eleanor Price 17
Theses/Dissertations from 2016
The Allure of Music: Implications for Academically Gifted Students, Erin Tolar 16
Theses/Dissertations from 2015
Mahler the Enigma: Progressive Composer, Traditional Conductor, Anna Gatdula 15
Music and Memory: A History of DePauw University School of Music Using Bifurcated History and Personal Interviews, Rachel Robin 15
