Theses/Dissertations from 2020
From Michigan With Love, Emma Krug
Murder Upon Murder, Patricia Rose McKown Schuelke
White, Female Cellist: One (Very Average) Musician’s Exploration of Identity Through Jazz Pedagogy, Amelia Smerz
Theses/Dissertations from 2019
Goals, Outcomes, and Efficacy of Music Programming in Prisons, Liam Byrnes
The Vocaloid Phenomenon: A Glimpse into the Future of Songwriting, Community-Created Content, Art, and Humanity, Bronson Roseboro
Adventure, Intrigue, and Terror: Arabs and the Middle East in Hollywood Film Music, Grant Woods
Theses/Dissertations from 2018
“I’m Nobody! Who are you?”: Musical (Re)presentations of Emily Dickinson, Abigail Martin
Theses/Dissertations from 2017
The Art of Borrowing: Intertextuality in the French Motet of the Late Middle Ages, Eleanor Price
Theses/Dissertations from 2016
The Allure of Music: Implications for Academically Gifted Students, Erin Tolar
Theses/Dissertations from 2015
Mahler the Enigma: Progressive Composer, Traditional Conductor, Anna Gatdula
Music and Memory: A History of DePauw University School of Music Using Bifurcated History and Personal Interviews, Rachel Robin