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Constructed Landscapes
February 1 – August 1, 2019
Visit a museum today, and it’s likely that a major blockbuster exhibition of impressionist painting or perhaps documentary photographs will find the galleries crowded with visitors. Landscape, vis-à-vis observational artmaking, provides an accessible entry point for both casual and frequent museum goers. The subject matter is identifiable, relatable, and the many movements within the genre—including impressionism and hyperrealism—have withstood the test of time. Yet, as with all art genres, the artist mediates the viewer’s understanding of reality and fiction through a complex balancing act of artistic and creative control. As viewers, how do we reconcile the role that artists play as arbiters of reality and artistic vision? Is the world of the artist’s landscape as simple as it might appear at first glance, or is there perhaps more complexity behind these seemingly simple renderings of the landscape? Constructed Landscapes highlights over 50 works drawn from the DePauw University permanent art collection and asks us to meditate on one particular perspective: is the artistic landscape a true representation of reality, or is it simply a construct—an invention of the artist’s mind? Whether intended as memorial, analogy, historical document, or perhaps even a creative exercise, the artist’s landscape reminds us that the way we render and translate the world around us is critical to understanding our place in the 21st century. -
Quotidian Artisanal Life: Coptic Textiles of Byzantine Egypt
February 1 – March 24, 2019
The history of Coptic textiles can be traced to the 4th century in Egypt, where the Christian population of artisans wove wool and linen for decorative and practical uses. The term ‘Coptic’ is derived from the ‘Copts’ which were Christian Egyptians during the 4th-13th centuries AD in the early Byzantine to Islamic era in Egypt. The fragments on display for this exhibit belong to the University Collection. To learn more about these and others in our collection, stop by 2nd floor of the Peeler Art Center. -
Repeat, Repeat: Gestures of Repetition in Video Art
February 1 – July 10, 2019
Repeat, Repeat: Gestures of Repetition in Video Art emphasizes repetition as a creative strategy. Comprised of early video works through today, Repeat, Repeat asks viewers to analyze not only the repetitive audio-visual elements, but also the use of repetition—and the tension it creates—as an art form itself. Repeat, Repeat features eight works drawn from the DePauw University Permanent Art Collection and the Video Data Bank. This exhibition was made possible by the Arthur E. Klauser Asian and World Community Collection Endowment. -
Annual Juried Student Exhibition
January 31 – February 26, 2019
The Annual Juried Student Art Exhibition features works created by current DePauw students enrolled in studio art courses. The 2019 exhibition is juried by Hannah Barnes, Associate Professor of Art, Ball State University.
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