Document Type
Syllabus
Publication Date
Spring 2024
Course Description
Beginning with the aesthetic and psychological fixations of Edgar Allan Poe, Sigmund Freud, H.P. Lovecraft, Salvador Dalí, André Breton, and Jeff VanderMeer, our course explores some of the stranger detours of modern fiction and poetry. We will consider the ways that Poe’s “perverse,” Freud’s “uncanny,” Lovecraft’s “cosmic horror,” Dalí’s “paranoid critical method,” and VanderMeer’s “weird, have manifested and metastasized across a geographical spectrum of literature from Africa, Asia, Australia, Europe, and Latin America. Our reading includes work by some of the world’s great literary necromancers of the past century. We shall keep their names hidden until they emerge from the shadows in the coming weeks. Take care. Once you know them, their writing will infect your consciousness and permanently warp your sense of the world, until you remain a hollow shell of your former self, struggling to maintain your sanity under the weight of your newfound and horrific literary knowledge.
Recommended Citation
Brown, Harry, "WLIT 215B/ENG 255A World Wide Weird: Global Surrealism and Horror Brown Spring 2024" (2024). All Course Syllabi. 439, Scholarly and Creative Work from DePauw University.
https://scholarship.depauw.edu/records_syllabi/439
Student Outcomes
In writing-intensive (W) courses, the content becomes a medium for developing your intellectual abili- ties through writing. The course will help you (1) to order and to derive deeper meaning from the thoughts and impressions that constitute our basic response to experience, including reading literature; (2) to understand the surre- alist sensibility in world literature and its relation to contemporary horror in fiction and film; (3) to draw connections between surrealist and horror writing produced by different writers, in different periods, in different parts of the world; and (4) to write critically and creatively about what we find.