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Messengers of Yesterday
MARCH 10 – APRIL 6, 2014
In Messengers of Yesterday, photography professor Cynthia O’Dell explores the legacy of Ireland’s 1845-1852 famine, also known as An Gorta Mór (The Great Hunger), and the perpetual migration narrative that has shaped Ireland’s identity since that great trauma. -
Modernist Prints: 1900–1955
February 13 – May 8, 2014
Modern art distinguishes itself from other periods by its ability to embrace simultaneously a variety of aesthetic philosophies and styles. This exhibition examines Modernism’s eclecticism through European and American prints created in the first half of the 20th century. -
Persian Visions: Contemporary Photography from Iran
February 10 –May 8, 2014
In the first survey of contemporary Iranian photography to travel to the United States, Persian Visions features 20 artists who use the camera as a tool for cultural expression and self-exploration. Organized by the Tehran Museum of Contemporary Art and the University of Minnesota Department of Art, this exhibition of 58 works introduces some of Iran's most celebrated photographers to American audiences. -
Project 35 Volume 2
SEPTEMBER 8 – DECEMBER 12, 2014
Following the widespread popularity and success of Project 35, ICI has collaborated with 35 more international curators to produce Project 35 Volume 2. ICI draws from its extensive network of curators to trace the complexity of regional and global connections among practitioners and the variety of approaches they use to make video. A new selection of 35 curators from 6 continents each chose one work for this compilation of the latest approaches to the medium. -
Senior Art Exhibition
APRIL 18 – MAY 17, 2014
An annual exhibition featuring the work of graduating senior art majors. -
The Pure Land & Duality
APRIL 10 – JUNE 8, 2014
Pure Land Buddhism is a devotional sect of Buddhism in East Asia centering on the worship of Amida Buddha. According to the Pure Land Sutras, composed in India in the 2nd century, Amida Buddha vowed to save all sentient beings by granting them rebirth in his realm, the "Western Paradise." This pure land endowed with miraculous characteristics ensured its inhabitants easy entry into nirvana and salvation from the impure land we now live in. Salvation could be attained by invoking the name of Amida Buddha with absolute faith in him. Those whom Amida Buddha especially wished to save are the sinful and impoverished humans and even tengu and demons who have no other means of salvation. The Pure Land Buddhism claims to be a genuine way of universal salvation. This case exhibits objects representing the good. -
Alumni Exhibition
JUNE 6 - JUNE 8, 2013
An annual exhibition featuring work by former DePauw University studio art majors. -
Annual Juried Student Exhibition
February 7 - March 22, 2013
The Annual Juried Student Art Exhibition features works created by current DePauw students enrolled in studio art courses. This year's exhibition was juried by Sarah Aubrey, Curator of American Art, at the Fort Wayne Museum of Art. -
Darkfire and The Waiting Room
AUGUST 28 – SEPTEMBER 29, 2013
To initiate Darkfire and The Waiting Room, Caulfield, Hart and Colberg used themes and poetic images taken from Dante’s Inferno and Purgatory as a common start for each of their image/text pairings. The intention was not to illustrate Inferno/Purgatory in the traditional sense, but rather to use it as a motivation from which they could find common formal and conceptual inspiration.
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