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Submissions from 2024

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Review of Locher, Jucker, Landert & Messerli (2023): Fiction and Pragmatics, Jennifer L. Adams

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Review of Borum (2023): The Revolution Will Be Hilarious Comedy for Social Change and Civic Power, Matthew Meier

Submissions from 2023

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An Autoethnography of Letter Writing and Relationships Through Time: Finding Our Perfect Moon, Jennifer L. Adams

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Serious Play: Campus Humor in Precarious Times, Kevin Howley

Submissions from 2022

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Writing Others’ Stories: Autoethnographic Reflections on Historical Research, Representation, and Bakhtin, Jennifer L. Adams

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“Running The Knick Show: Transfusing Steven Soderbergh’s Authorial Persona into the Prestige Medical Series” in Prestige Television: Cultural and Artistic Value in Twenty-First-Century America, Seth Friedman

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“Community Media” in Oxford Bibliographies in Cinema and Media Studies, Kevin Howley

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Easy Mark, Kevin Howley

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Father & Son, Kevin Howley

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The More Things Change, Kevin Howley

Submissions from 2021

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Congress should butt out of Supreme Court's business, Jeff McCall

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No 'picnic' on campus: Word lists a power tool for thought control, Jeff McCall

Submissions from 2020

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Beyond the Infinite Interpretations: The Reception of 2001: A Space Odyssey and the Reframing of Stanley Kubrick's Authorial Reputation, Seth Friedman

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Animating the Green New Deal: “A Message from the Future with Alexandria Ocasio-Cortez”, Kevin Howley

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“It’s What We Do Every Day”: Recruiting Tomorrow’s Robotic Warriors, Kevin Howley

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Violence, Intimidation and Incarceration: America’s War on Whistleblowers, Kevin Howley

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"That is Not the Way to Do It" Queerness, Race, and Citizenship in Rodgers and Hammerstein, Dennis Sloan