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Scholarly and Creative Work from DePauw University
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All Past DePauw Theatre Seasons

Welcome to the DePauw Theatre archives, where we invite you to explore the rich history of our past seasons. From thought-provoking dramas to vibrant musical productions, you can browse through years of student performances and creative milestones below.

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  • Medieval Tales by DePauw Theatre

    Medieval Tales

    Fall 2007
    The production is a collection of short works from the late Medieval/early Renaissance when theatre as we know it was beginning to reemerge in the Western world. With the late 15th century morality play Everyman as its centerpiece, this assortment of tales explores the medieval worldview on religion and domestic life, and captures the humor, daily concerns and lifetime dreams of a continent and culture on the cusp of a multifaceted explosion.

  • Steve Here by DePauw Theatre

    Steve Here

    Fall 2007
    Based on encounters during months of backpacking and kayaking in wilderness areas across the country, this new work tells the stories of people immersed in the wild. Common to all is the search for meaning in the struggle between life and death in the wilderness, and the challenge to find peace of mind in an environment that is both beautiful and violent. Produced in conjunction with ArtsFest 2007, the play includes excerpts from Of Wolves, Moose and Daughters, written as part of a residency at Isle Royale National Park.

  • In the Silence You Don't Know by DePauw Theatre

    In the Silence You Don't Know

    Spring 2006
    Six short plays. 4 with no words. 1 with no actors. 1 with just heads sticking out of urns. Sample the existential world of the Nobel Prize-winning author of Waiting for Godot, Irish playwright Samuel Beckett. When it’s quiet, with the silence screaming in your ears, you see the bleakness, the pointless vacuum of nothingness before you, and you go on anyway…

  • Quilters by DePauw Theatre

    Quilters

    Fall 2006
    Quilters is a musical journey through the joys, struggles, amusements, and sorrows faced by the women who helped settle the American frontier. This intricately woven collage combines the art and craft of quilting with dance, music, and drama to tell richly-textured stories attesting to the great courage and spirit of our female ancestry. As America is largely a nation of settlers and immigrants, Quilters has the power to touch a chord in all of us.

  • The Orphan of Chao by DePauw Theatre

    The Orphan of Chao

    Fall 2006
    The laws of heaven ultimately win in this ancient Chinese story of power and revenge. When the evil General Tu-An Ku has the entire Chao clan slaughtered, several give up their own lives to assist with the rescue of the lone survivor, the title character, in the hopes that he will grow up to avenge Tu-An Ku's ruthless political persecution and clan cleansing. Produced in conjunction with ArtsFest 2006: Art and The Silk Road, the production is highlighted by performances in the traditional Peking Opera style.

  • As You Like It by DePauw Theatre

    As You Like It

    Fall 2005
    One of Shakespeare’s greatest comedies - where anything can and does happen - is reset in America of the 1950s. His juxtaposition of town and country relations is as fresh today as it was over 400 years ago. With power-plays, banished children, dueling brothers and misguided country-bumpkins we see truly that “all the world’s a stage.”

  • Richard O'Brien's The Rocky Horror Show by DePauw Theatre

    Richard O'Brien's The Rocky Horror Show

    Spring 2005

  • Sweeny Todd by DePauw Theatre

    Sweeny Todd

    Fall 2005
    Step into the 19th century barbershop of Sweeney Todd, where the floor is littered with more than hair clippings as Todd’s irrepressible thirst for revenge against a crooked judge has expanded to include his unfortunate customers. Add to this the resourceful proprietress of the pie shop downstairs who soon has the people of London lining up in droves to savor her mysterious new meat pies, and you’ll discover a multiple award-winning musical thriller! At the play’s premiere in 1979, The New York Times opined, “There is more artistic energy, creative personality and plain excitement than in a dozen average musicals."

 

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