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Scholarly and Creative Work from DePauw University

    Content Posted in 2025

    PDF

    VII., Connor Willett '12

    File

    Vincent Valdez: Stations, Peeler Galleries

     

    Violets for Uncle Emily, J. Kyle Sturgeon

     

    Virginity, Krina Hoopis

     

    Vision of a Clay Goddess, Jamie Oslawski

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    Visualizing Income Distribution in the United States, Sang T. Truong and Humberto Barreto

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    Visualizing the Supernatural: Yūgao in The Tale of Genji, Peeler Galleries

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    Vogue Chanterelle, Kaylynn Gropp

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    Vol. 34. Iss. 1 [Full Issue], - -

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    Vol. 3, Iss. 3 [Full Issue], _ _

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    Vol. 4, Iss. 1 [Full Issue], _ _

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    Vol. 4, Iss. 2 [Full Issue], _ _

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    Wage Against the Machine: How Women Took on Workplace Inequality, Kyah A. Rodkey '25

     

    WageInsight, Chan Tran Le `25

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    Wait, Katherine White

     

    waiting room, Catherine Calabro

     

    Walking The Labyrinth, Sara J. Grunden

     

    Wallasaurus, Julie Rooney

     

    Wallen, Charlie Carpenter

     

    Warrant Long Goodbyes, Ka’lena Cuevas

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    Washing Machine, Mallory Hasty

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    Washi Transformed: New Expressions in Japanese Paper, Meher McArthur

     

    Wayne to Putnam Stretch, Sarah Niersbach

     

    wear$: For the Data Driven Shopper, Bridget Kelley '23

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    We Don't Want Jesters on Battlefields [an interview with Rodney Jones], Hayden DeBruler

     

    Welcome to my Van, Walter Moore

     

    We Live In The House On The Bend, Maria Skiles

     

    We make love with our mouths, Dustin Funk

     

    We Need Another Option: Centering Queerness in the Classroom, Emmaline Purciful `25

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    We're Through, Skip Brea

     

    We Speed Along, Alicia G. Kalista

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    Whale Walls, Rachel Higson

     

    What Do You Do In San Francisco?, Cabot Bartlett

     

    What Girls Are Made Of, Donald Koers

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    What Happens to Wishes, Mark Jaskowiak

     

    What is Truth?, M. S. Wallace

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    What’s Behind a Number? An Analysis of Maternal Healthcare in Cuba and the Impact of Policy on Women’s Autonomy, Brynn Urban '25

     

    What to Say When it Rains, Erin Greenlee

     

    What to Watch Next, Masakatsu Amano '22

     

    Wheels, Katherine Field

     

    When?, Julie Esther Theibert

     

    When?, Julie Esther Theibert

     

    When God Blinked, Kristin Fulton

     

    When He Grew Distant, Ryan Slabaugh

     

    When in Sleep, Dreams Fly, Helena Guzman

     

    When There's Nothing Left To Say, Andre Monserrat

     

    When the Whistle Blows, Erin Greenlee

     

    when you tell me, Molly Thomas

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    Where Do We Migrate To?, Niels Van Tomme

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    White, Paige Sandgren

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    Whitecaps on the Horizon, Anjali Glenn

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    White Noise, Peeler Galleries

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    Who Defines the Refugee?: Analyzing the Limitations and Relevance of the 1951 UN Convention on Global Refugee Protection, Sarah Locke '25

     

    Why Art Matters, Matthew Sumpter

     

    why can dialogue never become a poem?, Tusha Mittal

     

    Why I Hope My Birthday Party Wasn't An Omen, Jess Macy

     

    Why I Write, Alys Willman

     

    Why I Write, Maggie Neal Doherty

     

    Why the Title?, Brant Darden Rumble

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    window light, Abigail Fathauer

     

    Winter in New Orleans, Justin Sikes

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    Winter Time, Emelie Johansson '12

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    Wisp, Stephanie Sabol

     

    Within, Catherine Neville

     

    Without Regret, Kirsten Ellingsten

     

    Witness to an Execution, Mark Johnson

     

    Woman, Clara Walthausen

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    Woman in Green, Connor Gordon

     

    Women at Twenty, Julie Lanke

    Link

    Women's Basketball vs Denison, WGRE Sports

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    Women's Basketball vs Wooster, Cooper Benedict and Ethan Webster

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    Woolf, Narrative Space and Female Writers: The Different Implications on Female Passion Described Between the Brontes' and Jane Austen's Use of Gendered and Class-Divided Narrative Spaces, Mary Howard '10

     

    WorkflowX, Aaryabrat Chhatkuli `25

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    "World’s Best Dad(dy): Microvalidations in the rural educational space" in Rural Education and Queer Identities: Rural and (Out)Rooted, John Mark Day

     

    World View: Some Random Thoughts From a Cultural Commuter, William Harman

     

    World View: The Cranes of Hiroshima, Lisa Marie Foerster

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    "Wouters, Cornélie and Marie" in The Palgrave Encyclopedia of Romantic-Era Women's Writing, Carrie F. Klaus

     

    Write-in Competition Winner: Bomber Jacket, Patrick Corley

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    X., Connor Willett '12

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    XIV. The Inverse of Temperance, Emma Mazurek

     

    Year's End, Scott Weaver

     

    Yellow Winter, Sarah Gerkensmeyer

     

    Yesterday's Coffee, Tusha Mittal

     

    you ain't the only one, Jamie Berglund

     

    You Know Me..., Selina Guzman

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    You Must Choose At Least One Race, Gabriela Guerrero-Martinez

     

    You Must Understand, Femi Akeredolu

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    You Never Had a Sister, Mary Ardery '15

     

    You Remind Me of My Father, Maggie Doherty

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    You're so Naive, Emelie Johansson

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    Your Major, Kevin Hoesley

     

    YourMoney, Tyler Myers '23

     

    You Say, Nathan Swingley

     

    YouTube Automation Pipeline, Bamlak Deju `25

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    Yuki Nakamura: The Logic of Place, Peeler Galleries

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    Yun-Fei Ji: The Empty City, Peeler Galleries

     

    Zaap: Rendering 3D Models from 2D Objects using Augmented Reality, Hoang Pham '21

     

    Zero-A Game, Tri Dang `25

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    Zion Shadows, Hannah Buchanan

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    Zoe Strauss: Works in Progress, Peeler Galleries

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    Крушение, Eli Gray Nations

 
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